They definitely attract attention and still feature the “random virtual wear and tear per instance”. Friends who know nothing about pro audio walk up behind the desk and immediately mention how detailed and sleek these models look. Yes, we know looks mean nothing to a mix, but the interfaces on these models are some of the best looking Slate digital has designed yet. Some of the questions at the beginning of this review are slowly being answered right? This disables compression and allows for the coloration to be used exclusively as an effect. The preamp feature is a plus that incorporates the modeled analog circuit by “Shift Clicking” the attack button. Essentially, the FG-116 BLUE Series contains 4 separate compressors and preamps. I’m sure these models are still loosely based on the original hardware version used in the Vintage model, but Slate decided step outside of the box and create his “ideal” 1176 models. For the Modern version, who knows what was used.
Each Vintage version is based off of 2 REV A 1176s – one is a completely original model (circuit 1) while the other unit was refurbished in a way that altered the overall tone (circuit 2). The FG-116 BLUE Series compressors are modules that work within Slate’s Virtual Mix Rack (Review HERE) and come in two main iterations: Vintage and Modern.
Instead of spending time analyzing each aspect of this plugin, then writing, I’m going to review it in print, as I’m working with the plugin.
I’m going to take a slightly different approach to this review. Let’s tackle these questions one at a time because when I got the press release, each of these questions popped in my head. Why do I need another one? Why should I shell out $200.00 for something I already have?įirst off calm down! I’m just a news site. And that emotion and confidence is relayed into the mix I'm doing, so whether the people notice or not, it makes a difference.Oh look, another 1176 emulation! But I have 30 of them INCLUDING the FG-116 already in the Virtual Mix Rack. It just does its job sublimely well without wanting everyone to know you used it (except when you start pressing more than one ratio at once).ĭon't know any other software emulation that gives me that feeling. It always surprised me how invisible an 1176 could sound (yes insert nerds with better ears than me here), I could often forget I'd inserted one. Every other software emulation I've tried sounds good, but far too obvious. I get the same feeling from the UAD 1176s. It just sounds like a clear vocal, that isn't chocked or smothered. Point is, what I hear doesn't sound rediculous. Occasionally when I get a moment to think, I will glance at the needle showing -8 or something rediculous. Testing aside, in my experience using a silver face urei for tracking vocals, I can set it up and just leave it there. There are usually notable differences between two ureis, let alone between one and a plugin.
0 kommentar(er)
